It's not expensive gear or fancy software that separates great photographers from ordinary ones. After all, even $200 pocket-sized digital cameras are more advanced than the contraptions that Ansel Adams used to take his famous photos 50 years ago.
No, it's not equipment: Knowledge is what makes a great photographer. As any photographer will tell you, there are a million little rules of thumb that can come in handy at the most unexpected moments. This week I've got four gems that you can store away for the right moment.
Calculate print size
You might wonder how big you can safely print a digital photo. This is where a little long division goes a long way. Just take the pixel dimensions of your photo and divide by 200. The result is the size, in inches, you can print on a typical inkjet printer.
Freeze the action
To reduce blur from camera shake, I recommended that you use a tripod or set your camera to a fast shutter speed. But what shutter speed? As a general rule, the slowest speed that you can use reliably while hand-holding your camera is equal to the reciprocal of your focal length. If you're using a 100mm lens, for instance, you'll need to shoot at 1/100 second or faster. With a 50mm lens you can probably get away with a rather slow 1/50 second.
Get the most out of your flash
You probably know that your camera's built-in flash is not especially powerful; it can throw light only about 10 feet or so (check your camera manual for the exact range). But you might not realise that increasing the camera's ISO can extend the flash's range. ISO is a measure of the camera sensor's sensitivity to light. Most cameras let you dial up the ISO for taking better pictures in low light—with the trade-off being more digital noise in your shots.
Here's the secret: To double the range of your flash, quadruple the ISO. So if your flash has a 10-foot range, but you're shooting across a 20-foot room, change the ISO from 100 to 400.
Use depth of field strategically
You are probably familiar with the concept of depth of field. When you pick a point in your photo to be in sharp focus, there's a region in front and behind that location that's still sharp.
The depth of field size varies depending upon the focal length of the lens and the distance from the camera to the subject, but one thing always remains true: There's always about twice as much depth of field behind the point of focus as there is in front.
You can put this handy knowledge to good use when photographing long subjects the extend deep into the scene—especially close ups and macro photos. To maximise the focus in your scene, focus about one-third of the way from the front, since you'll automatically have more sharp focus behind than in front.