After owning about a dozen integrateds over the years (including a few at more than twice the price), this is it, finally, a keeper. This amp must be one of the all-time greatest buys in all of Audio. Insanely good for the money.
Absolute power corrupts not at all.
- Beautiful retro styling, powerful, versatile, dedicated headphone amp
- Heavy enough to destroy an A/V rack (but that's a good thing, right?)
Exacting build quality and retro styling make the A-S2000 feel like a vintage model from the 1970s. Everything internal is nice and modern, however, resulting in a clean analytical sound that's able to be pushed to incredibly (and we mean incredibly) loud volumes without the slightest hint of distortion. Just don't try to move it around without a pal.
Price$ 2,299.00 (AUD)
Yamaha's A-S2000 dedicated amplifier is a jack of all trades, with balanced and unbalanced inputs, A/B speaker outputs as well as a dedicated headphone circuit. It manages to deliver a ridiculously large amount of power and no evident distortion. Build quality is exemplary and we appreciated the retro styling, as well as the noticeable weight.
On first looks you could be forgiven for mistaking the A-S2000 for one of Yamaha's vintage models like the CA-600 or CA-800 from the 1970s. It has the same brushed aluminium fascia, covered with a modest range of perfectly weighted switches and dials. You'll find the volume dial (always the largest, naturally), a switch to toggle between primary and secondary speakers, a dial to flick between seven different inputs including balanced and unbalanced, bass and treble rocker switches — the list goes on.
Another nod to past models is the heavy switch to turn the amplifier on and off, a far cry from the somewhat-uninspiring buttons found on the majority of modern amplifiers. Your house guests will most likely take pity on you for not having whiz-bang flashing blue lights and disco balls, but the A-S2000 trades on understated brilliance.
Equally impressive is the internal circuitry. The unit's power supply is more complicated and sophisticated than usual, and it is able to maintain constant current and voltage characteristics regardless of the draw from speakers. The volume control, treble, bass and input settings are all isolated from each other; less electrical interference is always a good thing. The system's headphone amplifier is built on a dedicated circuit for clarity. There are plenty of other examples which illustrate the thought put into this model. Every component inside the A-S2000 is designed with the sole intention of providing a clean, linear boost in power.
When it comes to making noise, the A-S2000 won't disappoint. It's able to sustain a gargantuan 150 Watts RMS for each channel at 0.02% total harmonic distortion, with that figure rising to 190 Watts at a higher distortion level. But the fact of the matter is that you simply won't be able to reach these volume levels unless you really, really want to. The by-product of this massive power is a lot of headroom: you don't need to drive the amplifier very hard to get extreme volume levels, and therefore distortion levels from the amplifier are unnoticeable. Even when driving primary and secondary speakers simultaneously the A-S2000 breezes along, with more than enough grunt to handle inefficient speakers.
The amplifier — partly by virtue of its massive power capability and tone controls, and partly by the nature of the components inside — was able to shine with every musical score we threw at it. Rock music sounded rich and enveloping, while classical music had fantastic detail and separation between instruments. Put simply, it's a powerful performer with plenty of inputs that will suit even the most inefficient and power-hungry stereo home audio setup.
- Nothing at this price
- • • •
After using the A S-2000 for a year now, I can honestly say that this will definitely be a future ''classic''. A full-featured and good-looking, heavy piece of a jewel, and the music it makes cannot be faulted short of 3 times the price. Love those real-wood sides too. What a beautifull performer this is. A keeper for sure.
- power, features, styling
- • • •
This amp is very versatile and at the same time has the power required to drive any speaker. It is easily comparable to amps several times its price
- Exquisite finish and build quality
- • • •
Finally I have found a stereo amp that does it all.
Beautiful classic design. Plenty of clean output and ample headroom.
Paired up with Vaf signature series i93 mk11 speakers the sound is as crystal clear as the Luxman 550a mk11 that was demonstrated to my wife and myself except it does not distort as the Luxman did when the deep bass notes entered the recording. To be fair the Lux is only 20w Class A.
I have owned many 2ch amps in the past and was not satisfied with the sound until I heard the Luxman.
What was a deal breaker for me was that the Luxman limitations with bass heavy recordings. It reaches max rail voltage very quickly and the midrange starts to distort badly.
Until the Yamaha A-s2000 there was nothing out there I heard that gave me the same experience as the Luxman did bar the distortion.
Also the Yam is a lot more affordable.
Hats of to the Yam sound + electronic engineers and to the guys at Clef HiFi.
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GGG Evaluation Team
First impression on unpacking the Q702 test unit was the solid feel and clean, minimalist styling.
For work use, Microsoft Word and Excel programs pre-installed on the device are adequate for preparing short documents.
The Fujitsu LifeBook UH574 allowed for great mobility without being obnoxiously heavy or clunky. Its twelve hours of battery life did not disappoint.
The screen was particularly good. It is bright and visible from most angles, however heat is an issue, particularly around the Windows button on the front, and on the back where the battery housing is located.
My first impression after unboxing the Q702 is that it is a nice looking unit. Styling is somewhat minimalist but very effective. The tablet part, once detached, has a nice weight, and no buttons or switches are located in awkward or intrusive positions.
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